A Festive Celebration: Uncovering Underrated Yuletide Films
One thing that annoys concerning numerous modern seasonal films is their excessive self-consciousness – the ostentatious decor, the predictable score selections, and the clichéd dialogue about the real spirit of the season. Maybe because the category hadn't yet solidified into routine, movies from the 1940s often explore the holidays from increasingly imaginative and far less neurotic angles.
The Affair on Fifth Avenue
An cherished gem from sifting through 1940s Christmas films is It Happened on Fifth Avenue, a 1947 semi-romantic tale with a great hook: a cheerful vagrant takes up residence in a empty luxurious townhouse each year. During one cold spell, he welcomes new acquaintances to reside with him, among them a veteran and a teenager who is secretly the offspring of the home's affluent proprietor. Filmmaker Roy Del Ruth gives the picture with a makeshift family heart that most newer Christmas movies have to labor to achieve. It perfectly balances a class-conscious commentary on shelter and a charming metropolitan romance.
The Tokyo Godfathers
Satoshi Kon's 2003 tragicomedy Tokyo Godfathers is a engaging, sad, and deeply moving take on the Christmas narrative. Drawing from a John Wayne film, it tells the story of a group of homeless individuals – an alcoholic, a trans woman, and a young throwaway – who discover an left-behind infant on the night before Christmas. Their mission to find the infant's mother triggers a chain of hijinks involving gangsters, immigrants, and apparently magical connections. The animation celebrates the enchantment of fate typically found in holiday stories, offering it with a stylish aesthetic that sidesteps cloying feeling.
Introducing John Doe
While Frank Capra's It's a Wonderful Life rightly gets a lot of attention, his lesser-known work Meet John Doe is a notable holiday story in its own right. Starring Gary Cooper as a charismatic "forgotten man" and Barbara Stanwyck as a plucky journalist, the film kicks off with a fictional letter from a man vowing to fall from a rooftop on Christmas Eve in protest. The public's reaction leads the journalist to find a man to portray the mythical "John Doe," who then becomes a country-wide icon for kindness. The narrative serves as both an uplifting fable and a sharp critique of wealthy publishers attempting to use public goodwill for political ends.
Silent Partner
While Christmas horror pictures are now commonplace, the Christmas thriller remains a somewhat underpopulated subgenre. This makes the 1978 gem The Silent Partner a novel delight. With a delightfully menacing Christopher Plummer as a thieving Santa Claus and Elliott Gould as a clever bank clerk, the movie pits two varieties of opportunistic individuals against each other in a well-crafted and surprising narrative. Mostly ignored upon its initial debut, it deserves a fresh look for those who like their festive stories with a dark edge.
Christmas Almost
For those who like their holiday reunions dysfunctional, Almost Christmas is a riot. Boasting a impressive ensemble that has Danny Glover, Mo'Nique, and JB Smoove, the film explores the strain of a clan forced to endure five days under one home during the Christmas season. Secret problems come to the top, leading to scenes of high humor, including a confrontation where a weapon is pulled out. Naturally, the narrative finds a touching ending, providing all the fun of a seasonal disaster without any of the personal aftermath.
Go
Doug Liman's 1999 film Go is a holiday-set tale that serves as a young-adult interpretation on interconnected narratives. Although some of its comedy may feel product of the 90s upon revisiting, the film nonetheless boasts plenty things to savor. These are a cool turn from Sarah Polley to a memorable performance by Timothy Olyphant as a dangerous drug dealer who appropriately wears a Santa hat. It embodies a specific kind of late-90s cinematic attitude set against a holiday setting.
Morgan's Creek Miracle
The satirist's wartime film The Miracle of Morgan's Creek skips typical seasonal warmth in favor for irreverent humor. The story follows Betty Hutton's character, who finds herself pregnant after a hazy night but cannot identify the soldier responsible. A lot of the fun stems from her situation and the devotion of Eddie Bracken's simping Norval Jones to help her. Although not obviously a holiday film at the start, the narrative culminates on the holiday, revealing that Sturges has created a satirical version of the birth narrative, packed with his trademark satirical humor.
Better Off Dead Movie
This 1985 youth movie starring John Cusack, Better Off Dead, is a prime example of its decade. Cusack's